Amidst the literary thrills of the 1990s, a haunting trend emerged within the young generation with its supernatural and macabre tales. But a rare few, woven with gothic folklore and chilling scenes, sent shivers down the spines of both children and adults, haunting their nights.
‘Scary Stories to Tell in the Dark’ by Alvin Schwartz is a book written in the 1990s that gave several children sleepless nights after having read a chapter or two. This is a series of three books that caught the attention of several young adults before being censored and banned several times thereafter. The trilogy consists of urban legends, folklore of different countries, and bone-chilling cultural stories that have been morbidly presented through text as well as various illustrations in the book.
One of the major reasons for this literary work to be blacklisted is the concern raised by several parents, educators, and critics as well. Many critics argue that the book’s graphic descriptions of violence, death, and disturbing imagery are not suitable for younger readers. Concerned parents and educators have raised objections to the book, believing that it might traumatize or desensitize children to violence.
Another reason for the book’s prohibition is the fear that it will give children nightmares or have long-term psychological effects. Stephen Gammell’s vivid and eerie illustrations, in particular, have been cited as triggers for disturbing dreams and anxiety.
Being an avid reader myself, I have come across several books that have got my heart racing in the dark, but the way Mr. Shwartz has portrayed the several stories of time and imagination amazes me in an odd way. These stories are told in simple language, as if they were being told to a third grader. As we keep reading, the stories only get more and more morbid and gothic, yet the wording is simple and understandable. If it isn’t creativity at its best, from a writer’s perspective, this is a piece of art.
“Scary Stories to Tell in the Dark” by Alvin Schwartz remains a controversial yet captivating work of literature. While it has garnered a loyal following for its ability to thrill and excite readers, it has also faced bans and challenges for its content. The debate surrounding this series raises important questions about freedom of expression, age-appropriateness, and the role of parents and educators in guiding young readers’ literary choices. Ultimately, the decision to read “Scary Stories to Tell in the Dark” should be made through one question: ‘Are you brave enough to dream undisturbed after a tale or two?’
Bhavya Mimani
XI C2
